Article: Less but Better: The Japanese Way to Live with Intention

Less but Better: The Japanese Way to Live with Intention
"Less but better," the idea of living with fewer but better chosen things, does not come from a trend but from a deeper emotional need: wanting a calmer home, less visual clutter, and more objects that genuinely reflect who we are.
Although variations of this philosophy exist in many cultures, in Japan it becomes part of everyday life, where the essential holds a central role and craftsmanship naturally earns a place of honour.
What begins as simple "products" becomes creations that embody creativity, awareness, and a respectful relationship with materials.
In this context, a cup, a bowl, or a wooden tray become quiet companions that meet our needs, enrich our senses, and help us reduce both waste and impulsive purchases.
Let’s explore this concept more closely.
The cultural heart of the Japanese "less but better" philosophy
Minimalism in Japan stems primarily from a unique relationship with space and time, which, among other things, has solid foundations in Zen philosophy.
For example, let's think of a traditional Japanese home. Here, we don't find the idea of “filling every corner”, but rather of allowing emptiness to breathe.
Now, this emptiness isn't a lack but rather represents calm; it's a mental space before it's a physical one.
At this point, "filling" the void becomes difficult and risks compromising this environment that protects us from unnecessary distractions and superficiality. Therefore, choosing the right objects whose form and function naturally integrate into the spaces without creating "noise" becomes essential.
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Pottery bowls by master potter Taichi Kawai, a fine example of the Japanese artisanal creative process.
Beyond design, however, a more intimate and spiritual dimension also emerges: the object is not just a "product," but the result of a creative process nourished by passion, discipline, and dedication.
It is here that Japanese craftsmanship reaches one of its highest expressions.
Artisans in Japan often work in small batches using regional clays, native woods, and traditional firing or carving techniques, ensuring every piece reflects its place of origin.
Small ceramic ateliers, wood workshops, and hands slowly shaping the material reveal a different way of experiencing objects: not just as functional elements, but as presences that carry with them time, intention, and memory.
In this dialogue between formal simplicity and emotional depth, each handcrafted piece becomes a silent companion in everyday life, capable of adding quality, care, and continuity to the way we inhabit spaces.
After understanding this relationship between space, intention, and the emotional presence of objects, choosing “less but better” becomes a natural consequence rather than a restriction.
From philosophy to practice: living “less but better” every day
Once the cultural meaning becomes clear, a key question naturally follows: how can these principles be transformed into daily choices? How can I bring the “less but better” philosophy into my home?
Many people feel the need to simplify their space when life becomes overwhelming, busy, or emotionally heavy, and this philosophy offers a gentle way to start again.
A helpful first step is to look at the space we live in and ask not “what is missing?” but “what could I remove to let the room breathe?”
The idea is not to empty everything, but to keep only what truly has function or meaning.
When adding elements (whether décor, tableware, or kitchenware), each addition should be intentional and guided by the values discussed above.
Here, it is natural to mention Japanese craftsmanship again. These objects carry a double strength: they are beautiful to look at, and above all, they remind us of how we want to live.

Unglazed pottery bowl for chawanmushi, crafted at Ohmi Ceramics, embodying refined Japanese elegance through its simple, understated design.
For example, choosing a handmade ceramic bowl to enjoy soup or serve rice is not just an aesthetic decision. It means choosing an object shaped through a meticulous creative process in which the artisan has, in a sense, infused a soul into the piece (a concept closely connected to the Japanese idea of monozukuri, the spirit of making with devotion).
It is a way of telling ourselves: “this moment deserves to be lived with attention.”
The same applies to a slow living tea set, a wooden cup, or a small selection of essential plates instead of a cabinet full of tableware that is never used.
Another practical way to apply “less but better” is to connect it to transitional moments: moving to a new home, renovating, starting a new job, or experiencing a period of stress. In these moments, many people feel the need to start fresh, remove what weighs them down, and choose objects that last rather than filling their home quickly. This is the perfect moment to shift from “I buy whatever I find” to “I choose a few pieces that reflect my values.”
Finally, there is the theme of gifting.
Someone looking for a present for a refined, design minded, or sustainability oriented person does not want a generic item, but something that carries a message: you deserve something thoughtful, meaningful, not ordinary.
A raku bowl, a handmade sake set with crackle glaze, or a solid Hinoki cutting board become expressions of this intention.
How to truly bring this idea into your home
Bringing “less but better” into your life does not require major changes, but small choices repeated over time.
You can start with a single corner: a tray with a cup and a teapot, a shelf with a few wooden objects, or a small kitchen space with two bowls you genuinely enjoy using. From there, step by step, you can review what to keep and what to let go of, seeking a balance between functionality and emotion.
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Hand-turned wooden crafts by Tokuda Meiboku, expressing minimalism with refined elegance.
Every time you choose a handcrafted piece, two things happen at once: you replace quantity with quality, and you remind yourself that time, calm, and attention matter more than speed.
Your home then becomes an extension of your philosophy of life, not just a place to decorate.
And if you ever feel drawn to explore objects that embody this way of living, Tsukushi offers a curated selection crafted by Japanese artisans, quiet reminders that less, when chosen with intention, truly becomes more.
Less but Better FAQs
The following questions reflect the most common doubts and curiosities people have when approaching a minimalist Japanese lifestyle and the "less but better" philosophy.
How to create a Japanese minimalist decor living room?
Keep only essentials that support calm and function.
Use natural materials, soft light, neutral tones, and one or two handcrafted pieces as focal points.
Let empty space remain visible so the room feels open and serene.
Where can I buy authentic Japanese handmade tableware online?
Look for boutiques and artisan platforms that source directly from small Japanese kilns. At Tsukushi, we focus exactly on this, offering curated pieces that highlight each maker, their process, and regional heritage.
Which Japanese companies focus on quality over quantity in their products?
Many small studios and family workshops across Japan create limited-quantity pieces with strong attention to craftsmanship and durability.
Tsukushi curates makers who embody this “less but better” philosophy.
What is the Japanese “less but better” principle?
It’s a lifestyle that values fewer, well-made items chosen with intention.
The goal is not emptiness, but a quieter home where objects support calm, meaning, and daily ease.
What is the difference between decluttering and “less but better”?
Decluttering removes what is unnecessary. “Less but better” chooses what remains based on purpose, beauty, and emotional value, helping you build a more intentional home.
Are Japanese handcrafted products a sustainable choice?
Often yes.
They’re made in small batches with natural materials and designed to last. Choosing fewer, higher-quality pieces reduces waste and avoids frequent replacements.

